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Patrick Huse - Northern Imaginary 3rd Part

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All together Encounter, Intimate Absence and Northern Imaginary 3rd Part has become three different parts in a trilogy called Northern Imaginary. The trilogy all together discusses the North from cultural and political viewpoints and the book is made for pedagogical reasons as independent parts in the art project. The 3rd Part of Northern Imaginary is politicizing and concluding the two first parts. This book contains a large number of essays from authors who are deeply involved and concerned with the political, social and cultural state of the North. In this document many issues brought forward do not "only" concern the North but is of international significance and concern, even if this is not at all time understood. There is no direct connection between the authors or the essays but by reading it, it's easy to discover a common concern about the North among all participants.


Authors:
Gavin Jantjes, John K. Grande, Dag Solhjell, Daniel Chartier, Patrick Huse, Trond Berg Eriksen, John Bainbridge, Claudio Aporta, John MacDonald, June Shappa, Jorun Eikjok, Ole Henrik Magga, Tove Skutnabb-Kangas, Sofie Petersen, Tove-Lill Labbahå Magga, Jan Erik Henriksen, Bryan Robinson, Solveig Møllerplass Huse, Halvor Nordby, Bjørn Frantzen, Carsten Smith, Hans-Jørgen Wallin Weihe, Gisli Pálsson., Jón Proppé, Bjarni F. Einarsson, Kirsti Strøm Bull, Jørgen Jonsson, Åsmund Thorkildsen.


Published: Delta Press, Norway 2008 - ISBN 978-82-995758-7-4

Language: English. Pages: 290, soft cover, richly illustrated. Book design: Art Director Liv Evjan.

Delta Press

Delta Press


Delta Press er Patrick Huses kunstbokforlag, som gir ut kunstbøker relatert til Huses prosjekter og utstillinger. I bøkene formidles bilder og ideer i rikt monn. Publikasjonene distribueres av PAD — Published Art Distribution:

Published Art Distributed is an independent distribution channel specializing in the following categories: 
Art, anthropology and social issues. This will be distributed through books, artist's books, catalogues and prints, all paper work.

PAD as an independent distribution channel, has its origin in debates concerning art as a social vehicle in communicating issues of contemporary political and social significance.

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