Skirting the line between abstraction and representation, Røgeberg has in essence taken her erstwhile close-ups of pelts and pressed them against urban landscapes, raising a thick, Rorschach-blot impasto over moody street scenes. But one plus one equal much more than two, as her four large, subtly colored canvases charge the small space with a flickering energy.
Hanneline Røgeberg
Newswire
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