Zen in Bloom

Showcasing a single type of flower – here, it’s spring daffodils – this technique is easy and carefree.

Ingredients:

15 stems common daffodils, from my garden

Multiple lengths of coral-pink twig dogwood, cut approximately 2 inches wider than the vase opening. Any straight, woody branch will work, including vine maple, pussy willow or the colorful twig dogwood (Cornus sanguinea or C. sericea)

Vase:

6-inch tall x 6-inch square glass vase (this design adapts to any square or rectangular glass vase)

The daffodil stems are stabilized by a “raft” of twigs, lashed to cover the opening of the vase.

Other supplies:

Decorative pebbles

Twine-wrapped wire (available at craft stores in natural or green)

Design 101

Borrow inspiration: The idea for this bouquet came from a project featured in Design, a publication of The Flower Arranging Study Group of the Garden Club of America. Whenever you’re inspired by another designer’s technique, it’s important to give it your own twist rather than make a direct copy. For example, the original creation used florist’s foam inside the container, but I found it unnecessary, especially since the pebbles and twigs are enough to hold the daffodil stems in place.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers.

Enjoy the floral journey through 52 weeks of the year~

MAGNOLIAS AND MORE

Evergreen magnolia (Magnolia grandiflora), parrot tulips, rosemary, Japanese fantail willow and bare magnolia branches in bud fill one of my favorite white vases.

A sweet detail of those luscious tulips – don’t they play nicely with the rusty side of the magnolia foliage?

Ingredients:

Design 101

Proportion and Scale: These two related principles are among the most challenging to pull off correctly – in interiors and garden design, as well as in a vase. Proportion usually refers to size relationships within a composition, such as how each of the botanicals in this tall vessel is visually powerful. There are no wispy ingredients and the height of the arrangement is equal to the height of the vase. Scale indicates size in comparison to some constant, such as the human body. That’s where the terms “small scale” or “large scale” come in, since they refer to the out-of-the-ordinary size of things. With that in mind, think about the ideal interior setting for this vase. I think it would look stunning as the welcoming urn in a grand foyer or at the center of a large buffet table.

TULIPS & TWIGS

My cover shot, a perfect way to kick off springtime! Tulips, willows and camellia branches – all contained in a brilliant, matte green urn.

Ingredients:

12 stems red tulips and 10 stems yellow tulips, grown by Alm Hill Gardens

6 stems curly willow (Salix matsudana ‘Tortuosa’), grown by Oregon Coastal Flowers

8 stems Camellia japonica, from my garden

Vase:

5-inch tall x 6-inch diameter matte green urn with handles

From the Farmer

Water lovers: Unlike most floral design ingredients, tulips and willow branches seem to keep growing in a vase of water. You’ll notice that the tulip stems elongate a little each day. Some designers prefer to take the arrangement apart and re-cut the lengthened stems, but I like to observe the changes that occur. Willow is a water-loving plant, so you may discover that it sprouts tiny white roots under water and that small green leaves will push open, as if it is growing in soil. Enjoy a few days of this ever-changing dynamic.

A detail of the colors and textures of springtime.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

 

Been busy here . . . in the midst of Flower & Garden Show season, so I missed last week’s bouquet. Let’s play catch up and here, I’ll feature Week 8 and Week 9:

 “JUST ADD LIME”

Oh how I love this combination of everyday garden blooms, including daffodils, forsythia and euphorbia – with a few sprigs of variegated geranium for contrast.

The spring green color of new growth is indescribably beautiful.

From the Farmer

Working with euphorbia: Most plants in the spurge family produce a milky-white substance when cut. It can be irritating to the skin, so be sure to wear gloves when handling the plant. While harvesting, I place the stems in a bucket of water, separating them from any other cut ingredients. Then I bring them into my kitchen where I dunk the tip of each euphorbia stem into a bowl filled with boiling water from the teakettle. This seals the stems.  Some experts recommend searing the tips in a stove top flame, but that has proven too messy for my liking.

“HEADY HYACINTH”

A simple length of linen twine gathers these garden hyacinths. They practically arrange themselves!

Ingredients:

8 stems hyacinths (Hyacinthus orientalis), grown by Alm Hill Gardens

Detail of the gathered bouquet

Seasonal Choices

About those long stems: The typical garden hyacinth blooms on a relatively short stem – maybe 4-5 inches at the most. This limits the way hyacinths can be used in floral arrangements. According to Gretchen Hoyt, the way to stretch those stems is to trick them into wanting more light. “The longer you can deny them light, the more they stretch,” she explains. At the commercial flower farm, this process begins in dark coolers where bulbs are pre-chilled. When they are transferred to the greenhouse, the hyacinth crates are placed (in the shadows) beneath tables where tulips grow. If Gretchen wants to elongate those stems even further, “I’ll throw newspaper over them,” she says. Leaving bulbs on the stems is optional, but some designers do so to give the arrangement a rustic appearance.

“Lilies, Two Ways”

Two “lily” elements fill my antique majolica cachepot, set in the dining room window to catch the rare winter rays of sunshine

A detail from inside the vase . . .

Eco-technique

Flower frogs: I’ve made it a personal goal to stabilize flower stems with organic methods rather than the conventional florist’s foam or “Oasis.” That product, I have learned, contains formaldehyde and does not break down in landfills. An old-fashioned flower frog (in ceramic, glass or metal) is a great alternative. You can find flower frogs at flea markets or tag sales for a few dollars (or raid your grandmother’s supply). One of my favorites is a half-dome cage. It sinks to the bottom of the container and has ¾-inch square openings, ideal for woody stems. This is an arranging tool of the past, seriously useful for the present-day!

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

Yes, I have her signature in my used copy of “Flowers in House and Garden,” published in 1937. Signed in pencil, the inscription is dated February 1939.

Lately, I’ve been reading a lot about the first celebrity floral designer, Constance Spry.

The famous Mrs. Constance Spry

If you haven’t heard about her, check out the newish biography called The Surprising Life of Constance Spry, by Sue Shephard (2011). Mrs. Spry was at her peak of popularity between the two World Wars, and I loved reading about her magnificent cutting garden that supplied her London studio and shop called Flower Decoration in the ’30s, ’40s and ’50s.

Speaking of Flower Decoration, that is the name of a volume that Mrs. Spry wrote in 1933. Re-issued in 1993, you can find it online used, filled with her strong opinions, witticisms, and black-and-white photographs of floral arrangements. These are a little dated, of course, but what stands out to me is the eclectic lineup of ingredients, which includes many flowers, foliage and edibles that today’s hip floral designers think they’ve popularized.

Guess what? Mrs. Spry did it first!

The rest of us have just discovered the ingredients with which she created lush, naturalistic, unfussy bouquets. Cherry tomatoes, grape clusters, gourds, fig leaves, sea-kale, agapanthus seed heads, amaranth, rhubarb and artichokes are wonderful floral elements showing up in couture bouquets and magazine spreads. But Constance Spry used them first – and that’s quite fun to RE-discover.

READ MORE…

“A Blue Bowl of Blooms”

Two completely different flowers – vivacious tulips and intricate witch hazels.

Winter’s Multi-Hued Palette

This is what you can harvest during the 2nd week of January!~ Pretty amazing!

Ingredients:

Beautiful detail of the oak leaf hydrangea and Corsican hellebore foliage

 

A “vine-wrap” detail embellishes the foot of this vase.

NOTE: Each Sunday of this year, I will post my photographs, “recipe” and tip for that week’s floral arrangement, created for my new book, Slow Flowers. Enjoy the floral journey through 52 weeks of the year~

An evergreen yew and topiary forms are frosted with just a little snow on a December afternoon at Old Goat Farm.

Snow came early to the outerlying parts of Seattle this week, dusting the evergreen topiary forms at Old Goat Farm in Orting, Washington. Owners Greg Graves and Gary Waller hosted a holiday tea to benefit Pacific Horticulture Society, and Lorene Edwards Forkner and I drove down to the farm for the festivities. Lorene, of course, is the editor of Pacific Horticulture magazine, a wonderful quarterly journal for gardeners on the West coast (or anyone who loves reading about the hort world in Washington, Oregon and California).

Lorene asked me to donate a seasonal floral arrangement and a copy of The 50 Mile Bouquet to the event’s silent auction. How fun to step out of our car and look across Greg and Gary’s wonderful garden at the sparkling white-and-green scene. There was an old log stump and it seemed like the perfect “pedestal” for placing my bouquet for a last-minute portrait before the party.

The locally-grown lilies, snowberry, eucalyptus and dogwood branches create a special holiday arrangement. There are a few stems of melaleuca tucked in. I brought them home from San Diego last week!

Everything else here sparkled, too. Enjoy the glimpses captured by my lens. And if you want to read more, follow this link to a post from an Old Goat Farm holiday tea from 2010. Visiting at Christmas, seeing the century-old Victorian farmhouse, hearing the clucking chickens and (of course) eating delicious food . . . what a chance to while away an afternoon.

Gary, a talented floral designer and retail display wizard, decorated the barn door with a lovely wreath.

Yes, these are old goat sugar cookies. Very tasty! And eye-catching, too!

This is a picture-perfect farmhouse. Absolutely love it! Especially that wraparound porch!

Gary and Greg's famous compost fence. It even made the cover of Pacific Horticulture magazine's fall 2012 issue~

Decorative chicken (or are they roosters?) cookies!

A beautiful detail of my bouquet.

Here’s to a wonderful holiday season! And a New Year to come~

Rainbow Protea's just-harvested blooms - dazzling!

Earlier this week I was hosted by my dear friend and fellow Garden Writer board member Nan Sterman when I flew to San Diego to give a talk to the San Diego Horticultural Society. I love the title that Mary James  of SDHS gave my talk: “Bring me Slow Flowers” – a fun play of words on the title of my next book. Using images I’ve shot over the past several years, my lecture incorporated concepts from The 50 Mile Bouquet and Slow Flowers.

Here are the highlights of my (almost) 72 hours in San Diego:

Hasan Kayali, Ayse Kayali and me - walking on the beach at La Jolla Shores, just before sunset.

First, I visited Hasan and Ayse Kayali, some of our oldest friends from college days. My husband Bruce and Hasan were jumpers (long/triple) for Harvard’s Track Team back in the day and we never, ever get to spend enough time together. However, all of us were together in Tuscany in 2009, for a week at Villa Maddalena in the town of Montisi. That was pretty special. After a late, but delicious, lunch, we took a walk on the beach at La Jolla Shores.

After I said good-bye to the Kayalis, I headed to Encinitas, just a few miles north. Nan Sterman and Curt Wittenberg welcomed me with a flavorful Moroccan chicken dinner prepared by Curt, and we stayed up way too late just talking. Nan and I figured out that after this month (December), we will see one another in January (GWA Winter Board Meeting – Austin, TX); February (Northwest Flower & Garden Show – Seattle, WA); March (SF Flower & Garden Show – San Mateo, CA); April (when I’m back in San Diego to speak) . . . and of course, in August, when our GWA annual symposium heads to Quebec City. Nice to anticipate!

So exciting.....A visit to the uber-famous and very talented floral artist, Rene van Rems!

Nan and Rene are old San Diego friends in the floriculture-horticulture community.

On Monday morning, I headed over to Carlsbad, Calif., to visit the very famous René van Rems, a world-class floral designer and friend of Nan’s.

I’ve known of René because of his books (including René’s Bouquets: A guide to Euro-Style Hand-Tied Bouquets) and others. He is an internationally recognized designer, consultant and instructor, born in Holland, but based in San Diego for the past 30 years.

Rene's modern, colorful studio - where all the fun happens!

A "local" bouquet in the Rene van Rems studio - foraged Alder branches - perfect for the season.

Last year, René established a new studio in Carlsbad, north of San Diego. I was so impressed with the interior space – as you can see here. It’s suitable for large-scale production for big events, for René’s many floral design workshops, and for private events. René considers himself to be in the “business of creativity,” and he loves to teach everyone – from the DIY flower-lover to the professional who participates in his advanced Master Classes.

René signed and gifted me two of his recent books — the hardback version of René’s Bouquets and his way-cool new book: Rene’s Bouquets for Brides. I felt a little inadequate giving him a signed copy of The 50 Mile Bouquet, but he was quite gracious about it. And, he was very kind to come and attend my lecture that evening. Please check out René’s beautiful work at his website, here.

This is the incredibly stunning landscape in Fallbrook, California - home to Rainbow Protea Farms

Nan picked me up around lunchtime and we headed out to Fallbrook, Calif., about 45 minutes east of Carlsbad. We were on a floral mission: To visit Rainbow Protea, an exotic cut flower farm that grows South African and Australian flowers in the Proteaceae family.

A special thanks to Dawn Bonner, whose family owns Rainbow Protea, and to sales & marketing whiz, Kim Jernegan, who hosted us. Kim loaded Nan and me into a pickup truck and we traversed the bloom-filled hills of the 198-acre farm on a brilliant December afternoon.

Kim Jernegan and me - holding stems of some beautiful Protea flowers.

Rainbow Protea began operations in 1985. While some may liken the hilly terrain approximately 20 miles inland from the Pacific Ocean and 60 miles north of San Diego as “similar” to South Africa, Kim begs to differ.

She points out that to grow thousands of flowering sub-tropical shrubs — Protea, Leucadendron, Leucospermum, Banksia, Leptospermum, Chamelaucium (Wax flowers), Anigozanthos (Kangaroo Paws) and other Mediterranean specimens — the farm’s crew has to use an auger-style drill and major amendments.

Those include primarily organic addititives such as fish fertilizers, worm compost, compost tea and kelp products.

Enjoy my photographs of the plants that earned my affection.

Kim sent me home with a bountiful box of blooms, which I have been enjoying all week.

The wonderful thing about these exotic members of the Proteaceae family is that they are VERY long-lasting in the vase.

You need to re-cut the stems and refresh the H20 every two to three days; but then you can plan on having an exotic, modern-looking arrangement for weeks and weeks.

'Safari Sunset' Leucadendron

Protea 'Rosa Mink' - love the fuzzy margins on the petals!

Protea 'Pink Ice' - a silky-smooth variety

Protea 'Liebencherry' - vivid raspberry pink!

A hillside of Leucadendrons against the intense blue December sky. Unforgettable!

A Protea in bud - not sure of the variety, but it's sure gorgeous.

Good-bye Rainbow Protea. . . I'll be back!

Finally, I was welcomed by the members of the San Diego Horticultural Society. I felt like the room was filled with kindred spirits – gardeners who want to learn more about the plants they grow; people who are eager to try new things, including floral design. A great visit – and one that I will always cherish. Nan, Curt, Karen Bussolini (a writer/photographer friend who was in town, visiting from Connecticut), Bonnie Manion and I closed down the night with a late dinner at Il Forniao. Very satisfying!

Before I left the following morning, I squeezed in a visit to fellow garden blogger Bonnie Manion of vintagegardengal.com. I first met Bonnie in 2009 when Country Gardens magazine asked me to write about her vintage container designs for spring bulbs. The story was called “Tour de Forced Bulbs.”

Later, after we moved from Seattle to Southern California, Bonnie and I finally met in person – and we had several fun adventures, including our day-trip to the Long Beach Flea Market with Lorene Edwards Forkner and Kathy LaFleur. Bonnie is an amazing designer, writer and winemaker (with her husband John Manion). While our time was short, I was tickled to spend a little time with her, touring their newly renovated home, barn, barrel room and more…and talking about the book-biz, blogging and gardening.

Look for exciting things coming from Bonnie in the near future, including a new book on keeping chickens!

Okay, enough for now. Please enjoy these photos and check out all the people I’ve highlighted in this blog post.