Quick filters:
Page 2 of 4
Born 1625 Stock Photos and Images
RM2T8EKRW–A. Pinx. Aubert Sculp. JACQUES I. King of England, born at the Castle of Edinburgh on 19. June 1566. Died on 8. April 1625
RM2T68R86–Portrait of King James the First, King James I of England, born 1566, began reign 1603 and died 1625. In lace ruff collar, doublet, within ornate frame. Handcolored engraving by Cosmo Armstrong from Portraits and Characters of the Kings of England, from William the Conqueror to George the Third, John Harris, London, 1830.
RMP68WF5–Anatomical drawing of a female body by Adriaan van den Spiegel (1578-1625). Spiegel was a Flemish anatomist who was born in Brussels and practiced medicine in Padua. He is known as one of the greatest physicians associated with the city.
RM2AJAGYX–A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . ) were formerly in the Orleans Gallery and are engravedin Galerie dti Palais Royal, in. BREKELENKAM. Quiryn Gerritsz VAN Brekelenkamor Brekelenkemp. Dutch School, about 1625—1668. Genre painter. Born probably at Swammerdam near Leyden. Said to have been a pupilof Gerard Dou; in 1648 he entered the Guild of St Luke at Leyden, in which city his workinglife was spent. Brekelenkam belonged to the Roman Catholic confession; was twice married,in 1648 to Maria Carle, and in 16
RM2TGN985–Communion Cup of Vianen, anonymous, c. 1625 Silver cup, widely running up and decorated with engraving work. Decorated with three engraved medallions with Charitas, Spes and Fides. With the inscription: Freling Juliana Born Gravinne van Holland Brederoode AO 1668. Gorinchem silver (metal) Silver cup, widely running up and decorated with engraving work. Decorated with three engraved medallions with Charitas, Spes and Fides. With the inscription: Freling Juliana Born Gravinne van Holland Brederoode AO 1668. Gorinchem silver (metal)
RMEC80XY–Anatomical drawing of a female body by Adriaan van den Spiegel (1578-1625). Spiegel was a Flemish anatomist who was born in Brussels and practiced medicine in Padua. He is known as one of the greatest physicians associated with the city.
RM2T8EMHX–A.P. Pinx. P.J. Sculp. JEAN BAPTISTE MARINI called the Cavalier Marin. Born in Naples, on 18. Oct. 1569. Died on March 26, 1625
RMRXFHFE–Basket of Cupids. Attributed to Jan Boeckhorst; Flemish, born Germany, about 1604-1668. Date: 1625-1668. Dimensions: 269 × 213 mm (sheet); 310 × 251 (secondary support). Pen and brown ink on ivory laid paper, laid down on ivory laid paper (chine collé). Origin: Flanders. Museum: The Chicago Art Institute. Author: Johann Boeckhorst.
RM2T90AC7–Annunciation, c. 1610-1615, Hans (or Johann) Rottenhammer I, German, 1564-1625, 9 1/4 x 7 in. (23.5 x 17.78 cm)14 1/2 x 12 1/8 in. (36.83 x 30.8 cm) (outer frame), Oil on copper, Germany, 17th century, Rottenhammer was born in Munich. By 1591 he had made his way to Rome, where he became quite successful at painting devotional and allegorical images on copper, often in collaboration with the Flemish landscape painters Jan Breughel I (1568-1625) and Paul Bril (1554-1626). In 1596 he settled in Venice for a decade, and by 1606, he was permanently residing in Augsburg
RMP68WF1–Anatomical drawing of a female body by Adriaan van den Spiegel (1578-1625). Spiegel was a Flemish anatomist who was born in Brussels and practiced medicine in Padua. He is known as one of the greatest physicians associated with the city.
RMW56DB3–Communion Cup of Vianen, Supper Cup of Vianen, Cup of silver, broadening upwards and decorated with engraving. Decorated with three engraved medallions containing Charitas, Spes and Fides. With the inscription: Freling Juliana born countess of Holland Brederoode Ao 1668., anonymous, Gorinchem, c. 1625, silver (metal), h 20.0 cm × d 12.0 cm × w 380
RM2R8BNK3–Two Horses 1652 by Paulus Potter, Dutch, born Enkuysen, Netherlands 1625-died Amsterdam, Netherlands 1654
RM2HB3XRK–Landscapes with villages near Amsterdam. Plate 4. De Zeekant van Muyderbergh., Geertruydt Roghman, etcher, Mid 17th century, Netherlands, etching, Geertruydt Roghman (1625–1657) was a Dutch Golden Age painter, engraver and printmaker. She was born in Amsterdam to family of artists, the daughter of engraver Henrick Lambertsz Roghman (1602–c. 1660) and Maria Jacobs Savery. Geertruyd was the oldest sister of Roelant (1627–1692) and Magdalena Roghman (1637–c. 1669) and the grandniece of the well-known painter Roelant Savery (1576–1639)
RM2HH8P8Y–The Birth of Venus, with Neptune, Cybele and the Chariot of the Sun (Homage to Venus) ca. 1670–80 Niccolò Berrettoni Italian Born in the Marche and trained under the guidance of the local master Simone Cantarini (1612-1648), Niccolò Berrettoni moved to Rome in 1650 and, still under aged, soon joined the workshop of Carlo Maratti (1625-1713), at the time the most renowned painter of the city. This drawing, depicting the Homage to Venus with Neptune and Cybele, a sophisticated mythological subject, can be precisely connected with the fresco that adorns the ceiling of the main hall of Villa Falco
RM2HB3WHG–Landscapes with villages near Amsterdam. Plate 13. De Brugh tot Maersen., Geertruydt Roghman, etcher, Mid 17th century, Netherlands, etching, Geertruydt Roghman (1625–1657) was a Dutch Golden Age painter, engraver and printmaker. She was born in Amsterdam to family of artists, the daughter of engraver Henrick Lambertsz Roghman (1602–c. 1660) and Maria Jacobs Savery. Geertruyd was the oldest sister of Roelant (1627–1692) and Magdalena Roghman (1637–c. 1669) and the grandniece of the well-known painter Roelant Savery (1576–1639) through her mother
RM2HHH8J5–Young Woman with a Pearl Necklace Copy after Willem Drost Dutch The sitter bears a resemblance to Hendrickje Stoffels (born about 1625–26, died 1663), Rembrandt's common-law wife and the subject of a number of his portraits, one of which is in the Metropolitan. The picture is the work of a pupil of Rembrandt, and the strong light striking the face suggests that it may be by Barent Fabritius. Another version is in Dresden.. Young Woman with a Pearl Necklace. Copy after Willem Drost (Dutch, late 17th or early 18th century). Oil on canvas. Paintings
RM2AM2CH1–A history of French architecture from the death of Mazarin till the death of Louis XV, 1661-1774 . estailleur gives the date of Marots birth as 1625 (Notices sur quelquesartistes Fran9ais, p. 131), but his pedigree in the note shows that Jean was born before1614. Destailleur says there were two engravers of the name of Marot, and that the 700to 800 plates attributed to Jean are really the work of Jean the architect, his son Danieland Jean Baptiste a master painter, and half brother of Jean (1602-1677). Herluisongives entries relating both to Jean Marot, architect, and to his brother Jean Bapti
RM2WTAW6D–Lazio Roma Rome S. Andrea della Valle7. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RMEC810X–Anatomical drawing of a child's body by Adriaan van den Spiegel (1578-1625). Spiegel was a Flemish anatomist who was born in Brussels and practiced medicine in Padua. He is known as one of the greatest physicians associated with the city.
RM2T69X75–Sofonisba Angosciola, or Anguissola, Italian Renaissance painter born in Cremona, 1535-1625. Eminent portrait and history painter, one of six sisters. Sophonisba Anguisciola, pittrice. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMP68WEP–Anatomical drawing of a female body by Adriaan van den Spiegel (1578-1625). Spiegel was a Flemish anatomist who was born in Brussels and practiced medicine in Padua. He is known as one of the greatest physicians associated with the city.
RM2HB3X82–Another series of cows. Plate 5: A cow standing in a landscape., Marcus de Bye, etcher, Mid 17th century, Netherlands, etching, The Dutch printmaker Marcus de Bye (also de Bije/ de Bie) is little-known in relation to his talent and prolificness. He was born in The Hague in 1639 and died after 1688. He became a pupil of Jacob van der Does in 1658. Better known as an engraver and etcher than a painter, he engraved several series of animal studies after the famous but short-lived painter Paulus Potter (1625-54), and also produced a number of original engravings
RM2WT3RJ9–Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AG517A–. A short history of England's and America's literature, by Eva March Tappan. ces, that of Donnewas by far the strongest. 70. John Milton, 1608-1674. Of the poets whowrote between 1625 and 1660, John Milton stands forthe poetry of medita-tion. He was born in1608, the son of awealthy Londoner. Thefather was anxious thathis son should devotehimself to literature;and when he saw howperfectly the boyswishes harmonized withhis own, he left him ab-solutely free to followhis own will. Less free-dom in some respects J°HN miltonmight have been bet- 160 1674ter; for this boy of twelve with weak eyes and
RMPB1GTW–Young Woman with a Pearl Necklace. Artist: Copy after Willem Drost (Dutch, late 17th or early 18th century). Dimensions: 33 1/8 x 24 1/2 in. (84.1 x 62.2 cm). The sitter bears a resemblance to Hendrickje Stoffels (born about 1625-26, died 1663), Rembrandt's common-law wife and the subject of a number of his portraits, one of which is in the Metropolitan. The picture is the work of a pupil of Rembrandt, and the strong light striking the face suggests that it may be by Barent Fabritius. Another version is in Dresden. Museum: Metropolitan Museum of Art, New York, USA.
RMKC8CFX–The Birth of Venus, with Neptune, Cybele and the Chariot of the Sun (Homage to Venus), Niccolò Berrettoni, ca. 1670–80
RM2R8F9Y0–Drawing n.d. by Jacob Ruisdael, Dutch, born Haarlem, Netherlands ca. 1625/1629-died Amsterdam, Netherlands 1682
RM2WT9ERG–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AJEFCN–A history of French architecture from the death of Mazarin till the death of Louis XV, 1661-1774 . ign. Destailleur gives the date of Marots birth as 1625 (Notices sur quelquesartistes Fran9ais, p. 131), but his pedigree in the note shows that Jean was born before1614. Destailleur says there were two engravers of the name of Marot, and that the 700to 800 plates attributed to Jean are really the work of Jean the architect, his son Danieland Jean Baptiste a master painter, and half brother of Jean (1602-1677). Herluisongives entries relating both to Jean Marot, architect, and to his brother Jean
RMPAJKHP–Andromeda and the Sea Monster. Artist: Domenico Guidi (Italian, 1625-1701). Culture: Italian, Rome. Dimensions: Overall (confirmed): 64 3/8 x 46 3/8 x 34 5/8 in. (163.5 x 117.8 x 87.9 cm). Patron: Commissioned by Francesco II, Duke of Mantua and Reggio (Italian, 1660-1694) , who died before the sculpture's completion. Date: 1694. Acquired in Rome by John Cecil, the fifth Earl of Exeter (1648-1700), this sculpture was long believed to have been the work of Pierre-Étienne Monnot, the French-born sculptor who carved the English statesman's funerary monument. The Andromeda, thoroughly Roman Baroq
RM2WT959Y–Lazio Roma Rome S. Andrea della Valle08. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AKJXPB–The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits . (hO THE NEvV YORKPUBLIC LIBRARY A8TOR, L=NOX Jannetje, the wife of Augustine Herrman, of BohemiaManor, was born at Utrecht, about the period 1625-1630,the daughter of Mr* Caspar Varleth, a successful Amster-dam merchant, who soon after settled at Fort Good Hope,the place of cherry trees, later known as Hartford, InConnecticut. She was married ioDecember, 1650, or 1651,when Herrman was a man twice her age, busy
RMPB0F8P–The Calling of Saint Matthew. Artist: Giovanni Battista Caracciolo (Italian, Naples 1578-1635 Naples). Dimensions: 51 3/8 × 61 1/2 in. (130.5 × 156.2 cm). Date: ca. 1625-30. Caracciolo shows the moment when Jesus asks Matthew, an avaricious tax collector, to renounce his worldly possessions and follow Him (Matthew 9:9). Jesus faces the viewer, who is thus put in the same quandary as Matthew: whether to embrace Christ's invitation or the money bag at the edge of the canvas. One of the outstanding figures of Neapolitan painting, Caracciolo was deeply influenced by Caravaggio, who worked in Napl
RM2WT9HAX–Lazio Roma Rome S. Andrea della Valle7. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AJF12C–Historic homes and institutions and genealogical and personal memoirs of Worcester County, Massachusetts, with a history of Worcester society of antiquity; . ne of descent from this pioneer ancestor isas follows: Samuel Sibley, who came to Sutton,1652. and his wife Sarah (Leland) Sibley, bornin England, 1625, also took up her residence in thattown th.; same year. Even Sibley, who came toSutton in 1680. James -Sibley, Moses Sibley. SarahSibley, who was born in Sutton, 1755, died 1842.Charles Sibley, who married Huldab. Harwood, ofBarre, Massachusetts. Sardius Sibley, father ofLeander Sibley, wa
RM2WT7R2N–Lazio Roma Rome S. Andrea della Valle12. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AFXA9G–. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. Called THE REV. JOHN ELIOT Apostle to the Indians 1604-1690 (573) ^r- NTW YORK ^n:.^lC LIBRARY ASTOf^, LPNOX Hoffman, Martin, born about 1625. So called. The portrait Is from a miniature painted In Holland,and owned by Hoffman Philip, Esq. It Is reproduced Inthe Genealogy of the Hoffman Family, published byDodd, Mead & Company In 1899, and appears here by per-mission of J. Van Ness Philip, Esq., of Talavera,
RM2WT292H–Lazio Roma Rome S. Andrea della Valle18. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2AJ2D77–Commemorative biographical record of Tolland and Windham counties, Connecticut : containing biographical sketches of prominent and representative citizens and of many of the early settled families . other wars, includ-ing the Civil war. Maj. Gen. Edwin V. Sumner,U. S. A., of the Civil war, was of this family, aswas also Gov. Increase Sumner, of Massachusetts. (I) William Sumner, born in 1605, only childof Roger and Joane (Franklin) Sumner, of Bi-cester, Oxfordshire, England, became a husband-man. He married there Oct. 22, 1625, Mary W^est.In 1636 he came to New England, and settled atDorcheste
RM2WT23WM–Lazio Roma Rome S. Andrea della Valle07. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
![The New York genealogical and biographical record . ¥#*+V<*^i. Born July 18, 1785. —Died April 5, 1840. S92.] Notes and Queries. jri 14, Thomas Pratt and Isabell ffausett. 15, William Cox and Christian West. 16, Eliseus Trice and Joane Ayres.25, John Crome and Anne Kelsam. September 1625.I, John Lake and Mary Saunders.1, Bartholomew Jacks <Sc Ellin Shrun.1, Thomas Pepkin & Sarah Bowlter. NOTES AND QUERIES. Proceedings of the Society.—At the meeting of April Sth, Professor ThomasEgleston of Columbia College read a paper on Major Egleston of the RevolutionaryArmy. The paper was a warm trib Stock Photo](https://c8.alamy.com/comp/2AWHK48/the-new-york-genealogical-and-biographical-record-vlti-born-july-18-1785-died-april-5-1840-s92-notes-and-queries-jri-14-thomas-pratt-and-isabell-ffausett-15-william-cox-and-christian-west-16-eliseus-trice-and-joane-ayres25-john-crome-and-anne-kelsam-september-1625i-john-lake-and-mary-saunders1-bartholomew-jacks-ltsc-ellin-shrun1-thomas-pepkin-sarah-bowlter-notes-and-queries-proceedings-of-the-societyat-the-meeting-of-april-sth-professor-thomasegleston-of-columbia-college-read-a-paper-on-major-egleston-of-the-revolutionaryarmy-the-paper-was-a-warm-trib-2AWHK48.jpg "The New York genealogical and biographical record . ¥#*+V<*^i. Born July 18, 1785. —Died April 5, 1840. S92.] Notes and Queries. jri 14, Thomas Pratt and Isabell ffausett. 15, William Cox and Christian West. 16, Eliseus Trice and Joane Ayres.25, John Crome and Anne Kelsam. September 1625.I, John Lake and Mary Saunders.1, Bartholomew Jacks <Sc Ellin Shrun.1, Thomas Pepkin & Sarah Bowlter. NOTES AND QUERIES. Proceedings of the Society.—At the meeting of April Sth, Professor ThomasEgleston of Columbia College read a paper on Major Egleston of the RevolutionaryArmy. The paper was a warm trib Stock Photo")
RM2AWHK48–The New York genealogical and biographical record . ¥#*+V<*^i. Born July 18, 1785. —Died April 5, 1840. S92.] Notes and Queries. jri 14, Thomas Pratt and Isabell ffausett. 15, William Cox and Christian West. 16, Eliseus Trice and Joane Ayres.25, John Crome and Anne Kelsam. September 1625.I, John Lake and Mary Saunders.1, Bartholomew Jacks <Sc Ellin Shrun.1, Thomas Pepkin & Sarah Bowlter. NOTES AND QUERIES. Proceedings of the Society.—At the meeting of April Sth, Professor ThomasEgleston of Columbia College read a paper on Major Egleston of the RevolutionaryArmy. The paper was a warm trib
RM2WT5ACY–Lazio Roma Rome S. Bernardino7. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by ge
RM2CDDFJ5–. Engraving and etching : a handbook for the use of students and print collectors . Fig. 73. Cornelis Schut: Allegoricalcomposition (detail). i6o ENGRAVING IN THE LOW COUNTRIES more original and pleasing than their figure subjects.The two small etch.cd landscapes by Jan Breughel theelder (born at Brussels 1568, died at Antwerp 1625),establish by their delicate and charming treatment thegenuineness of the signature upon them, and permit theconjecture that their author was not handling the needle. Fig. 74. Lucas van Uden : Landscape (detail). for the first time in their making, although we know
RM2WTCWDR–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2CJ7JJH–. The great seals of England and some others . of the Faith. Reverse: James in full armorrushing toward his foes. He was such an admitted cowardthat he would not even touch a sword, so this ferocious war-rior must have caused many a laugh—behind his back. CHARLES I. Born 1600. King 1625. Died, rathersuddenly, 1649. Morally much like his father; physically agreat improvement, with the enormous advantage of VanDyke for his portrait painter. Charles the Martyr; othersthink that he got just what he deserved. The portrait on theSeal is quite good, though an unfortunate pressure onCharles nose has s
RM2WT6J47–Lazio Roma Rome S. Andrea della Valle5. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2CEN1AD–. The Frost family in England and America with special reference to Edmund Frost and some of his descendants. phs (London, 1639). John Bancroft married inEngland prior to 1622. The date of his birth is probably1598. He had two sons and one daughter born to him inEngland. The oldest son, John, was born in 1622. and theyoungest, Thomas, in 1625. John Bancroft came to Americain the ship James and arrived at Lynn, Massachusetts, onJune 12th, 1632. He brought with him his wife and his twosons, John and Thomas, and his daughter. Anna Bancroft.John Bancroft (1) died at Lynn in 1637. We find from theL
RM2WTCW1E–Lazio Roma Rome S. Andrea della Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2CJ5BEX–. Biographical history of Massachusetts : biographies and autobiographies of the leading men in the state . ter ofSumner and Elizabeth H. (West) Wellman, granddaughter ofEbenezer and Carrie Parker Wellman and of William and MercyLarkin (Gray) West, and a descendant from the Wellman familywho came from Wales and England and settled in Lynn, Massa-chusetts, about 1625. There were three children born to Mr. andMrs. McDaniel, two of whom are living: Arthur Sumner, a lawlibrarian in New York, and Professor Allen Boyer McDaniel ofUnion College, Schenectady, New York. Mr. McDaniel had a varied and ex
RM2WT2K2W–Lazio Roma Rome S. Andrea della Valle06. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2CENXAP–. The Hovey book, describing the English ancestry and American descendants of Daniel Hovey of Ipswich, Massachusetts. , at Dixon, Cal. They live inPasadena, Cal. Their only child was born in Dixon, asfollows : I. Aaron Hovey, born Feb. 3, 1883; died March29, 1883.1625—V. Hubert Henry, born Dec. 10, 1847, in Rockford. See family numbered 1625.1626—VL Melissa E., bom Jan. 9, 1850, in Rockford; married Albert S.Kidd Aug. 24, 1881; and lives in Pasadena, Cal. Theirchildren were born as follows: i. Olive, born Aug. 24,1882, at Rockford, 111.; died Dec. 29, 1882. 2. EmeryHovey, born Jan. 3, 1885; li
RM2WT4XAM–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT28B7–Lazio Roma Rome S. Andrea della Valle04. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT57CB–Lazio Roma Rome S. Bernardino4. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by ge
RM2WT4570–Lazio Roma Rome S. Bernardino2. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by ge
RM2WT6716–Lazio Roma Rome S. Andrea della Valle9. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT2G7B–Lazio Roma Rome S. Andrea della Valle0. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT5T12–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT9CHR–Lazio Roma Rome S. Andrea della Valle0. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTC8H4–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT885R–Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT7RF9–Lazio Roma Rome S. Andrea della Valle8. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT5GJR–Lazio Roma Rome S. Andrea della Valle0. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT61FE–Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT7WXK–Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT4J0E–Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTAPBT–Lazio Roma Rome S. Andrea della Valle8. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTB75D–Lazio Roma Rome S. Andrea della Valle. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e
RM2WT2134–Lazio Roma Rome S. Andrea della Valle19. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT6KWB–Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTBKX0–Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTBA89–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT46YR–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT58D8–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT9FHE–Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTBKP4–Lazio Roma Rome S. Andrea della Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT8D7B–Lazio Roma Rome S. Andrea della Valle6. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT1JXD–Lazio Roma Rome S. Andrea della Valle14. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT5RHF–Lazio Roma Rome S. Andrea della Valle7. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTB2XG–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT939Y–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT5RB3–Lazio Roma Rome S. Andrea della Valle5. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT8GM5–Lazio Roma Rome S. Andrea della Valle7. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT6634–Lazio Roma Rome S. Andrea della Valle31. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT9F1B–Lazio Roma Rome S. Andrea della Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT6CCN–Lazio Roma Rome S. Andrea della Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT2MYE–Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT3CAF–Lazio Roma Rome S. Bernardino. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1625), paintings on canvas, fresco paintings, church furnishings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo
RM2WT7BAN–Lazio Roma Rome S. Andrea della Valle9. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WTAW0Y–Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT6HRM–Lazio Roma Rome S. Andrea della Valle9. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT8JD1–Lazio Roma Rome S. Andrea della Valle0. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
RM2WT8556–Lazio Roma Rome S. Andrea della Valle8. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the
Search Results for Born 1625 Stock Photos and Images (312)
Page 2 of 4