Quick filters:
Page 1 of 2
Pudicitia Stock Photos and Images
RMCY5P67–Full-length statue of Cornelia Antonia as Pudicitia. Istanbul Archaeological Museum, Turkey
RMPH1D22–Rome. Italy. Pudicizia statue, Roman copy of Flavian era (1st C A.D) from a Hellenistic original. Braccio Nouvo, Chiaramonti Museum, Vatican Museums.
RMPPYDBY–Pudicitia, by Giacomo Brogi; James Anderson, British, 1813 - 1877, Rome, Italy; about 1845 - 1855; Albumen silver print
RMP9HK59–Statue of Julia Avita Mamaea with the attributes of Pudicitia, goddess of modesty. Copperplate engraving by G. Perini from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
RM2B0F123–Fig.: draped bust, n.r., LVCILLA - AUGUSTA, Kz: Pudicitia n.l. sitting, PUDIC - ITIA, coin, denarius, Lucilla
RMJT0BXX–Statue of Julia Avita Mamaea with the attributes of Pudicitia, goddess of modesty. Copperplate engraving by G. Perini from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
![Vz: bust image n.r., IULIA MAESA AUG, Kz: Pudicitia n.l. sitting, PUDI [CITIA], coin, denarius, Julia Maesa Stock Photo](https://c8.alamy.com/comp/2B0F9J0/vz-bust-image-nr-iulia-maesa-aug-kz-pudicitia-nl-sitting-pudi-citia-coin-denarius-julia-maesa-2B0F9J0.jpg "Vz: bust image n.r., IULIA MAESA AUG, Kz: Pudicitia n.l. sitting, PUDI [CITIA], coin, denarius, Julia Maesa Stock Photo")
RM2B0F9J0–Vz: bust image n.r., IULIA MAESA AUG, Kz: Pudicitia n.l. sitting, PUDI [CITIA], coin, denarius, Julia Maesa
RM2GJ5FP0–The Roman Virtues. Coins with figures of Concordia, Pudicitia, Clementia, Pietas, Libertas, Pax, Honos and Virtus. Copperplate engraving from Andrew Tooke’s The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.
RM2B0D4JW–Pudicitia to the left, clay seal, dried clay, Color: anthracite, Shape: round (intaille), Processing:, Method of manufacture:, Diam. 8 mm, 2nd - 3rd century AD, Turkey
RMJT0BXR–Statue of Pudicitia, goddess of modesty, in veiled robes. In the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
RMP5RBCM–N/A. Italiano: Giacomo Brogi (1822-1881) - 'Roma - Vaticano - La Pudicizia. Statua in marmo'. Numero di catalogo: 4094. English: Giacomo Brogi (1822-1881) - 'Rome Vatican - Pudicitia. Marble statue'. Catalogue # 4094. . before 1881. Giacomo Brogi (1822–1881) Description Italian photographer Date of birth/death 6 April 1822 29 November 1881 Location of birth/death Florence Florence Work period circa 1860-1881 Work location Italy, Middle East Authority control : Q2346257 VIAF:156145857883923021479 ISNI:0000 0000 6662 3244 ULAN:500017452 LCCN:no2007070355 GND:124858678 WorldCat 24
RMM7MMYT–Canti XI composti dal Bandello de le lodi de la S. Lucretia Gonzaga di Gazuolo, e` del vero amore, col tempio di pudicitia ... - Upper cover (240i23)
RF2D7XBPH–19th-century engraving of the statue of Pudicitia. Illustration published in Systematischer Bilder Atlas - Bauwesen, Ikonographische Encyklopaedie der
RM2T5MMMP–Woman wearing a veil over a head ( Pudicitia ), Pompeii Temple of Fortuna Augusta,1st Century AD, National Archaeological Museum of Naples Italy.
RM2WP29CT–denarius; Hadrian (76-138; Roman emperor 117-138); 128-132 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RM2B6AGCX–Allegory of the purity Allegory of chastity object type: picture Item number: RP-P-1904-1327 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Christian Bernhard Rode Dating: 1788 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 139 mm × W 110 mmToelichtingPrent also used in: Ramler, Karl Wilhelm. Persons Allegorische zum Gebräuche of Fine Künstler. Berlin: academic Art und Buchhandlung, 1788. Subject: Isis'Castità '' pudicitia '' Vergogna honesta '(Ripa)
RMR4YC5G–Bandello's Canti XI. A book of religious music. . Canti XI composti dal Bandello de le lodi de la S. Lucretia Gonzaga di Gazuolo, eÌ€ del vero amore, col tempio di pudicitia. 1545 Italy. Canti XI composti dal Bandello de le lodi de la S. Lucretia Gonzaga di Gazuolo, eÌ€ del vero amore, col tempio di pudicitia. Source: 240.i.23 front binding. Author: Bamdello, Matteo.
RF2KA0804–Chastity's chariot (Pudicitia), a veiled woman, is pulled by unicorns, legendary chaste animals. Cupid sits blindfolded and tied to her feet.
RMPH1D4Y–Rome. Italy. Pudicizia statue, Roman copy of Flavian era (1st C A.D) from a Hellenistic original. Braccio Nouvo, Chiaramonti Museum, Vatican Museums.
RFRAF08H–Pudicitia, by Giacomo Brogi, James Anderson (British, 1813 - 1877), Rome, Italy, about 1845 - 1855, Albumen silver reimagined
RM2T69C3D–The Roman Virtues. Coins with figures of Concordia, Pudicitia, Clementia, Pietas, Libertas, Pax, Honos and Virtus. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.
RM2H961XA–Denarius (Coin) Portraying Julia Maesa, 223. Reverse: Pudicitia (Modesty), holding a sceptre.
RM2AJBHCR–L'Africa . adumbrasPerfidcjTartareas ferro fequarCinquit)acutoTalia per meritum fexum iimul omnis & X- tasFleuit, 5f infolitis ftrepuerunt roftra quereli»Pra?cipuetamen,ucproprium luxere parentem,Vltoremque pudicitia»,gratislima matrumAgmina,neclongum celferunt moelta per an num.Muncraanethis Bruti femper ucnerabile no nien . XI FI7{E DEL TEI^ZO L1B1{0, jo^ioso^ f>.fc^ ifnA. fafei^; ^.
RM2B0D87B–Obverse: Julia Maesa, dressed on the right. Worn, remains of inscription: IVLIA MAESA AVG. Reverse side: Pudicitia, holding veil up with right hand and holding staff with left hand. Inscription is worn out: PVDICITIA, coin, denarius of Julia Maesa, grandmother of Elagabalus, metal, silver, diam: 1.9 cm, w. 1.69 grams, 218-222 AD, unknown
RMW55HA5–Heater plate with two female figures, Lucretia and Pudicitia, Heater plate made of cast iron, divided into two zones. In the upper zone there are two female figures underneath, Lucretia on the left and Pudicitia on the right. They are separated from each other by a colonnet. Above the arches leaf ornament. In the lower zone a medallion with bust and profile in the middle of leaf ornament, (story of) Lucretia, Pudicitia as Roman personification, anonymous, Germany, c. 1550 - c. 1600, iron (metal), founding, h 85 cm × w 51 cm × w 37 kg
RM2WR943T–Joseph and Potiphar's Wife, Josephi Pudicitia / Joseph and Potiphar's Wife (title on object), print maker: Robert Strange, after drawing by: Robert Strange, after painting by: Guido Reni, print maker: London, after drawing by: Naples, 1762 and/or 1769, paper, etching, engraving, height 397 mm × width 485 mm, print
RM2T63K06–Woman wearing a veil over a head ( Pudicitia ), Pompeii Temple of Fortuna Augusta,1st Century AD, National Archaeological Museum of Naples Italy.
RM2WP32M5–denarius; Hadrian (76-138; Roman emperor 117-138); 128-132 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RM2B6ABN8–Allegory on the power of Venus With signature in the Latijn. Manufacturer : print maker: Matthew Greuter (indicated on object) to a design of: Matthew Greuter (indicated on object) to drawing of: Wendel Dietterlin (I) (shown on object) Date: 1587 Material: paper Technique: engra (printing process) Dimensions: sheet: h 316 mm (inner plate edge cut) b × 422 mm (inner plate edge cut) Subject: specific aspects, allegorical aspects of Venus; Patrones wisdom Venus axis; 'Sapienza' 'Sapienza humana' 'Sapienza vera' (Ripa) 'Castità' 'pudicitia' 'Vergogna honesta' (Ripa) honor, 'Honor' one of the se
RM2WP35RA–denarius; Hadrian (76-138; Roman emperor 117-138); 128-132 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RM2B6Y1AN–Kachelplaat met twee vrouwenfiguren, Lucretia en Pudicitia Kachelplaat van gietijzer, verdeeld in twee zones. In de bovenste zone onder bogen twee vrouwenfiguren, links Lucretia en rechts Pudicitia. Zij worden van elkaar gescheiden door een colonnet. Boven de bogen bladornament. In de onderste zone een medaillon met buste en profil te midden van bladornament. Manufacturer : gieter: anoniemPlaats manufacture: Duitsland Dating: ca. 1550 - ca. 1600 Material: ijzer Techniek: gieten Dimensions: h 85 cm. × b 51 cm. × g 37 kg Subject: (story of) LucretiaPudicitia as Roman personification
RF2B9DG29–Pudicitia, by Giacomo Brogi, James Anderson (British, 1813 - 1877), Rome, Italy, about 1845 - 1855, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMP9FRHF–Statue of Pudicitia, goddess of modesty, in veiled robes. In the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
RM2AJBH16–L'Africa . Talia per meritum fexum iimul omnis & X- tasFleuit, 5f infolitis ftrepuerunt roftra quereli»Pra?cipuetamen,ucproprium luxere parentem,Vltoremque pudicitia»,gratislima matrumAgmina,neclongum celferunt moelta per an num.Muncraanethis Bruti femper ucnerabile no nien . XI FI7{E DEL TEI^ZO L1B1{0, jo^ioso^ f>.fc^ ifnA. fafei^; ^. i ^wn j •.
RM2WR9431–Joseph and Potiphar's Wife, Josephi Pudicitia / Joseph and Potiphar's Wife (title on object), Text in Latin and English in the bottom margin., print maker: Robert Strange, after drawing by: Robert Strange, after painting by: Guido Reni, print maker: London, after drawing by: Naples, 1762 and/or 1769, paper, etching, engraving, height 397 mm × width 485 mm, print
RM2JBXJTD–The Chariot of Chastity (Pudicitia), a veiled woman, is drawn by unicorns, legendary chaste animals. Cupid is blindfolded and tied to her feet. In the procession are chaste figures from history, the Bible and classical mythology, for example, the Roman general Scipio, Joseph, Suzanna and the honorable Judit, holding in her hand the head of Holofernes. The virtues of Self-control (Continentia) and Temperance (Temperantia) are also present in the procession. The chariot is driving towards the Temple of Chastity. The print has a Latin caption and is part of the series on the triumphs of Petrarch
RM2WP33F0–denarius; Hadrian (76-138; Roman emperor 117-138); 128-132 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RM2JDYRK0–Sculpture of Pudicitia, Sculptures of Antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, engraving, height 219 mm × width 127 mm
RM2WP3A6A–denarius; Hadrian (76-138; Roman emperor 117-138); 125-128 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RF2B9A587–Heater plate with two female figures, Lucretia and Pudicitia, Heater plate made of cast iron, divided into two zones. In the upper zone there are two female figures underneath, Lucretia on the left and Pudicitia on the right. They are separated from each other by a colonnet. Above the arches leaf ornament. In the lower zone a medallion with bust and profile in the middle of leaf ornament, (story of) Lucretia, Pudicitia as Roman personification, anonymous, Germany, c. 1550 - c. 1600, iron (metal), founding, h 85 cm × w 51 cm × w 37 kg, Reimagined by Gibon, design of warm cheerful glowing of bri
RM2AX8B02–Ancient legends of Roman history . ia Patricia in the Forum Boariumthat Virginia had been removed,—there is a fact of para-mount importance. Aside from the fact that in this area(situated as it was, outside the ancient pomerium) it wouldbe difficult to discover traces of an ancient patrician cult, weactually know that there did exist in that region a temple ofPudicitia—but it was of Pudicitia Plebeia. It was thattemple which (as we have had occasion to see in the legendof Servius Tullius) was by some reputed to be the seat ofthe goddess Fortuna.46 From this error, however, it doesnot by any me
RM2JE3JJM–Sculpture of Pudicitia, Sculptures of Antiquity (series title), Caption in Latin. Print is part of an album., print maker: anonymous, Italy, 1600 - 1699, paper, engraving, height 219 mm × width 127 mm
RM2WP2XE3–denarius; Hadrian (76-138; Roman emperor 117-138); 125-128 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RFRAYNM4–Personification of cleanliness, Arnold Houbraken, 1710 - 1719. Reimagined by Gibon. Classic art with a modern twist reimagined
RM2AM10T1–Days near Rome . n-terior, which is one of the most remarkable in Italy. Onthe first floor is an open gallery of immense length, thearcades divided by pillars richly decorated with caryatides.A marble staircase, with open loggias on every landing,ascends to the top of the palace, whence there is a gloriousview, and beneath are beautiful gardens extending to theopen country. Near the top of the staircase is a very finestatue of Minerva Pudicitia (with its own head, that at theVatican being an addition) found at Velletri. The palaceis nov/ inhabited by Prince Gianetti, who kindly allows itto be
RMW57W32–Chastity overcomes Love Seven virtues and seven vices (series title), The personification of Chastity (Castitas) sits under a tree and tramples Amor, the god of love. She breaks the bow of Amor in two. The print has a Latin caption and is part of a series about virtues and vices, one Virtue fighting against or treading upon one Vice, 'Castita', 'Pudicitia', 'Vergogna honesta' (Ripa), fettered Cupid, 'Amor Cruciatus ', Pieter Jalhea Furnius (attributed to workshop of), 1550 - 1625, paper, engraving, h 262 mm × w 197 mm
RM2WP2Y21–denarius; Hadrian (76-138; Roman emperor 117-138); 125-128 (119-00-00-122-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RF2B9C2ND–Chastity overcomes Love Seven virtues and seven vices (series title), The personification of Chastity (Castitas) sits under a tree and tramples Amor, the god of love. She breaks the bow of Amor in two. The print has a Latin caption and is part of a series about virtues and vices, one Virtue fighting against or treading upon one Vice, 'Castita', 'Pudicitia', 'Vergogna honesta' (Ripa), fettered Cupid, 'Amor Cruciatus ', Pieter Jalhea Furnius (attributed to workshop of), 1550 - 1625, paper, engraving, h 262 mm × w 197 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and ligh
RMW581C4–Emblem: virgin Portrait of Lucretia Virgo (title on object), On top of a pedestal a medallion decorated with flowers with the portrait of the Roman virgin Lucretia. The pedestal bears a representation of a budding tulip, surrounded by a swarm of bees. To the left of the pedestal the Virgin Mary with the Christ Child. On the right the personification Virtue (Castita), a lily in her hand. At her feet the zodiac sign Virgo and a shield with an ermine, symbol of purity. In the foreground a putto with a young girl with an emerald in her hands. On either side of the girl five oil lamps and five
RM2AWEY60–Dictionary of Greek and Roman geography . for that assumption seem to be itsvicinity to the supposed temple of Fortuna Virilis.Livys description (xxxiii. 27) of the two triumphalarches erected in the Foram Boarium before the twotemples appearing to indicate that they lay closetogether. With regard to the probability of this little church ROJIA. having been the temp7e of Pudicitia Patricia, itmight be objected that there was in fact no suchtemple, and that we are to assume only a statuewith an altar (Sachse, Gesch. d. S.Rom, i. p. 365).Yet, as Becker remarks {Handh. p. 480, note 100),Livy himse
RM2WP2EXR–denarius; Hadrian (76-138; Roman emperor 117-138); 125-128 (114-00-00-117-00-00);Pudicitia (personification), heads, veils, laurel wreaths
RM2WP2BWY–denarius; Hadrian (76-138; Roman emperor 117-138); 119-122 (119-00-00-122-00-00);Pudicitia (personification), bust, hands, laurel wreaths
RF2B9C7X0–Emblem: virgin Portrait of Lucretia Virgo (title on object), On top of a pedestal a medallion decorated with flowers with the portrait of the Roman virgin Lucretia. The pedestal bears a representation of a budding tulip, surrounded by a swarm of bees. To the left of the pedestal the Virgin Mary with the Christ Child. On the right the personification Virtue (Castita), a lily in her hand. At her feet the zodiac sign Virgo and a shield with an ermine, symbol of purity. In the foreground a putto with a young girl with an emerald in her hands. On either side of the girl five oil lamps and five empt
RM2WP30J3–denarius; Sabina (83-137; Roman Empress 117-137), Hadrian (76-138; Roman emperor 117-138); 128-134 (134-00-00-138-00-00);Pudicitia (Personification), busts, veils
![. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. rebuilt at the same time ; the nave was narrowed toforty feet and covered with a barrel vault, and the space at the sidesdivided into square chapels. The ])resent brick fa(;ade of the churchshows above the dome of the rotunda a row of three simjde round-headed windows, over which is a thin cornice and a low gable, whichIliibsch believes to be a j)()rtion of the original work.^ Santa IVIaria in Cosmedin was originally a Koman teujple, whethers Maria in dedicated to Ceres, Fortuna, or Pudicitia, is Stock Photo](https://c8.alamy.com/comp/2AGBW91/a-history-of-architecture-in-italy-from-the-time-of-constantine-to-the-dawn-of-the-renaissance-rebuilt-at-the-same-time-the-nave-was-narrowed-toforty-feet-and-covered-with-a-barrel-vault-and-the-space-at-the-sidesdivided-into-square-chapels-the-resent-brick-faade-of-the-churchshows-above-the-dome-of-the-rotunda-a-row-of-three-simjde-round-headed-windows-over-which-is-a-thin-cornice-and-a-low-gable-whichiliibsch-believes-to-be-a-jrtion-of-the-original-work-santa-iviaria-in-cosmedin-was-originally-a-koman-teujple-whethers-maria-in-dedicated-to-ceres-fortuna-or-pudicitia-is-2AGBW91.jpg ". A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. rebuilt at the same time ; the nave was narrowed toforty feet and covered with a barrel vault, and the space at the sidesdivided into square chapels. The ])resent brick fa(;ade of the churchshows above the dome of the rotunda a row of three simjde round-headed windows, over which is a thin cornice and a low gable, whichIliibsch believes to be a j)()rtion of the original work.^ Santa IVIaria in Cosmedin was originally a Koman teujple, whethers Maria in dedicated to Ceres, Fortuna, or Pudicitia, is Stock Photo")
RM2AGBW91–. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. rebuilt at the same time ; the nave was narrowed toforty feet and covered with a barrel vault, and the space at the sidesdivided into square chapels. The ])resent brick fa(;ade of the churchshows above the dome of the rotunda a row of three simjde round-headed windows, over which is a thin cornice and a low gable, whichIliibsch believes to be a j)()rtion of the original work.^ Santa IVIaria in Cosmedin was originally a Koman teujple, whethers Maria in dedicated to Ceres, Fortuna, or Pudicitia, is
RM2WP30DY–denarius; Hadrian (76-138; Roman emperor 117-138), Sabina (83-137; Roman Empress 117-137); 128-134 (128-00-00-134-00-00);Pudicitia (Personification), busts, veils
RM2AJBHH7–L'Africa . orpore te- xitViftor adextremum. fic immemor ille pericll,Eruit infandam inde animam,& ferus ultor adumbrasPerfidcjTartareas ferro fequarCinquit)acutoTalia per meritum fexum iimul omnis & X- tasFleuit, 5f infolitis ftrepuerunt roftra quereli»Pra?cipuetamen,ucproprium luxere parentem,Vltoremque pudicitia»,gratislima matrumAgmina,neclongum celferunt moelta per an num.Muncraanethis Bruti femper ucnerabile no nien . XI FI7{E DEL TEI^ZO L1B1{0, jo^ioso^ f>.fc^ ifnA. fafei^; ^. IN VENETIk^, aptrclfoDomenico Farri M D L jC X.lafrica00petr
RM2WP1J9F–Pudicitia (modestly), a cardboard box of the designed polychrome motif in the Franciscan church; Verso: a standing woman's act; Wyspiały, Stanis Aw (1869-1907); 1895 (1893-00-00-1895-00-00);Goldberg -Górski, Leon Franciszek (1863-1937), Leon Franciszek (1863-1937) - collections, young Poland (style), Partage Plus, modesty (Pudicitia - allegories), modesty (Pudicitia - personification), acts, female acts, female acts, allegories, violets (bot.), Franciscan monastery (Kraków), Polish painting, personifications (iconogr.), Polichrome, Poland (culture), children's portraits, projects, purchase (pr
RM2WP7K1N–Caritas, a cardboard box for stained glass in the grave chapel of the Grauer family in Opawa; Mehoffer, Józef (1869-1946); 1901 (1901-00-00-1901-00-00);Caritas (allegory), Caritas (personification), human soul (personification), Grauer, Ignaz (? -1915), Grauer, Regina (1846-1898), Mehoffer, Józef (1869-1946)-collection, mercy (allegory), Mercy (personification), Opawa (Czech Republic), faithful memory (allegory), partage plus, modesty (Pudicitia - allegory), faith (fides - allegory), angels (iconogr.), Archangels (iconogr.), Pansies (bot.) , gift (provenance), children, cemetery chapels, grave
RM2AKRMM5–Historia dell'antichità di Milano, divisa in qvattro libri . amala Pa&kFrancesca. ; La vedoua Anna, urne hora in habito uedoude no Vilimfni*mente mantenendo thonoredicapi Vifconte ,e Stonarata con ,4 gran lodi di lei, allenando ijùoi figliuoli col timor di Dio,& ef- j fa attende ad imitare la pudicitia^la bontaja uita CathoCica, et | la diuotione aJHaterna. ^Molte cote hauerei che dire, sio uolcffe raccontare le uirtUdella Illusi.Sigijmonda da Efle,madre degli Nepoti di ftia San-tità, tutte degne de Lodi. zJMa bafierami a dire , che ella e unaCorona di pudicitia, un ritratto di uita catholica,
RM2WEHF92–Sculpture of Pudicitia, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. Pudicitia as Roman personification
RM2AWHT4A–Libri qvattro dell'antichita della citta di Roma : raccolte sotto brevita da diversi antichi et moderni scrittori . a metto-no che quefto fuffe il Tempio della pudicitia. lopinioni de quali fébene hanno qualche diuerfita in loro , non lì difeoftano però tantodal vero, che con qualche colorita ragione non fi pollino làluare;perche tutti quelli Templi erano ini intorno. Mi par ben colà imponibi-le & da non effer creduta (fé bene in detta Chielà fi fulfero ritroua-te infcrittioni ) che fecondo lopinioni dalcuni altri antiquari) mo-derni la detta Chiefa Egitiaca fuffe già la Bafilica di Caio & Lu-
RM2W97TD0–Denarius from the Roman Empire of Julia Maesa, 222-223 ,, 222 - 223 coin Silver coin. Front: head of the empress to the right. Ridays: the goddess Pudicitia sitting, to the left with in her left hand. silver (metal) striking (metalworking)
![. The history of St. Pauls cathedral in London, from its foundation untill these times: extracted out of originall charters. records. leiger books, and other manuscripts. Beautified with sundry prospects of the church, figures of tombes, and monuments. Paulinam fuo fumptu Jolus & mjiituit, & annuoreditu dotal)it: Genus bonejlifjimum Cbrijii doibus cobonejiaVit; pr#-cipuejob letatemi. atac pudicitia : nunc fruitur Evangelica Margarita,cu]us amo/eneglexit omnia :i)ixit An, 53. adminijiralPit xvi, obiit anno Morere mundo3 ut vivas Deol vSuperTabulam, juxtapraedidlumTumulum, pendentem? In memonamV Stock Photo](https://c8.alamy.com/comp/2CEGBW7/the-history-of-st-pauls-cathedral-in-london-from-its-foundation-untill-these-times-extracted-out-of-originall-charters-records-leiger-books-and-other-manuscripts-beautified-with-sundry-prospects-of-the-church-figures-of-tombes-and-monuments-paulinam-fuo-fumptu-jolus-mjiituit-annuoreditu-dotalit-genus-bonejlifjimum-cbrijii-doibus-cobonejiavit-pr-cipuejob-letatemi-atac-pudicitia-nunc-fruitur-evangelica-margaritacu-us-amoeneglexit-omnia-iixit-an-53-adminijiralpit-xvi-obiit-anno-morere-mundo3-ut-vivas-deol-vsupertabulam-juxtapraedidlumtumulum-pendentem-in-memonamv-2CEGBW7.jpg ". The history of St. Pauls cathedral in London, from its foundation untill these times: extracted out of originall charters. records. leiger books, and other manuscripts. Beautified with sundry prospects of the church, figures of tombes, and monuments. Paulinam fuo fumptu Jolus & mjiituit, & annuoreditu dotal)it: Genus bonejlifjimum Cbrijii doibus cobonejiaVit; pr#-cipuejob letatemi. atac pudicitia : nunc fruitur Evangelica Margarita,cu]us amo/eneglexit omnia :i)ixit An, 53. adminijiralPit xvi, obiit anno Morere mundo3 ut vivas Deol vSuperTabulam, juxtapraedidlumTumulum, pendentem? In memonamV Stock Photo")
RM2CEGBW7–. The history of St. Pauls cathedral in London, from its foundation untill these times: extracted out of originall charters. records. leiger books, and other manuscripts. Beautified with sundry prospects of the church, figures of tombes, and monuments. Paulinam fuo fumptu Jolus & mjiituit, & annuoreditu dotal)it: Genus bonejlifjimum Cbrijii doibus cobonejiaVit; pr#-cipuejob letatemi. atac pudicitia : nunc fruitur Evangelica Margarita,cu]us amo/eneglexit omnia :i)ixit An, 53. adminijiralPit xvi, obiit anno Morere mundo3 ut vivas Deol vSuperTabulam, juxtapraedidlumTumulum, pendentem? In memonamV
RM2WE3B45–Allegory on the power of Venus, Matthäus Greuter, 1587 print With caption in Latin. paper engraving specific aspects, allegorical aspects of Venus; Venus as patroness. Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). 'Castità ', 'Pudicitia', 'Vergogna honesta' (Ripa). honour, 'Honor' one of the seven gifts of the soul. specific aspects of Cupid. voluptuousness, pleasure, 'Voluptas' one of the seven gifts of the body. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa)
RM2CPYPN6–. Symbola diuina & humana pontificum, imperatorum, regum . fQ. FAMAM SERVARE MEMENTO. Nullaeft virtusquinviromaximeconvcniat, illiq; ornamcnro fit:pcemina ab alia virtutc, quama pudicitia vix laudatur. Hancunicamficonfervct, jam omnibus virtutibus ornata videtur. Hac fi careat, csetene o-mnes virtutcs,ut affabilitas,manfuetudo,comitas,ac parfimonia, qua: mu-liercs ornant, ita fordefcunt & deturpantur, ut potius dcdecori, & vitio,quamdecorifint. Qup enimaffabilior impudica, eo fccleratior, ac addecipiendos viros protervior,inftru&ior, aptiorque judicatur, ficde alijsvirtutibusccnfendum. Verum n
RM2WEKN5F–Chastity, 1589 - 1611 print The personification of chastity is in a landscape with a roe and whip in hand. At her feet is a unicorn, the symbol for virginity. In the background the announcement to Mary by the angel Gabriël. On the right a stork, which symbolizes the resistance of temptation. Under the show a four -line verse in Latin. This print is part of an album. paper engraving 'Castità ', 'Pudicitia', 'Vergogna honesta' (Ripa). shore-birds and wading-birds: stork. unicorn. the Annunciation: Mary kneeling
![. Symbola diuina & humana pontificvm, imperatorvm, regvm : accessit breuis & facilis isagoge Iac. Typotii : ex mvsaeo Octavii de Strada civis Romani : tomus primus[-tertius] . FAMAM SERVARE MEMENTO. Nullaeft virtusquinviro maximsconveniat, illiq-, ornamcnto fit:roemina abalia virtute, quam^ pudicitia vix laudatur. Hancunicamficonfervct, jam omnibus virtutibus ornata videtur. Hac fi careat, caitcrae o-mnes virtutcs,ut afFabilitas,manfuctudo,comitas,ac parfimonia, qua; mu-liercs ornant, itafordefcunt & deturpantur, utpotiusdcdecori, & vitio.quamdccorifint. Qup cnim atfabilior impudica, eo fccler Stock Photo](https://c8.alamy.com/comp/2CT2TBM/symbola-diuina-humana-pontificvm-imperatorvm-regvm-accessit-breuis-facilis-isagoge-iac-typotii-ex-mvsaeo-octavii-de-strada-civis-romani-tomus-primus-tertius-famam-servare-memento-nullaeft-virtusquinviro-maximsconveniat-illiq-ornamcnto-fitroemina-abalia-virtute-quam-pudicitia-vix-laudatur-hancunicamficonfervct-jam-omnibus-virtutibus-ornata-videtur-hac-fi-careat-caitcrae-o-mnes-virtutcsut-affabilitasmanfuctudocomitasac-parfimonia-qua-mu-liercs-ornant-itafordefcunt-deturpantur-utpotiusdcdecori-vitioquamdccorifint-qup-cnim-atfabilior-impudica-eo-fccler-2CT2TBM.jpg ". Symbola diuina & humana pontificvm, imperatorvm, regvm : accessit breuis & facilis isagoge Iac. Typotii : ex mvsaeo Octavii de Strada civis Romani : tomus primus[-tertius] . FAMAM SERVARE MEMENTO. Nullaeft virtusquinviro maximsconveniat, illiq-, ornamcnto fit:roemina abalia virtute, quam^ pudicitia vix laudatur. Hancunicamficonfervct, jam omnibus virtutibus ornata videtur. Hac fi careat, caitcrae o-mnes virtutcs,ut afFabilitas,manfuctudo,comitas,ac parfimonia, qua; mu-liercs ornant, itafordefcunt & deturpantur, utpotiusdcdecori, & vitio.quamdccorifint. Qup cnim atfabilior impudica, eo fccler Stock Photo")
RM2CT2TBM–. Symbola diuina & humana pontificvm, imperatorvm, regvm : accessit breuis & facilis isagoge Iac. Typotii : ex mvsaeo Octavii de Strada civis Romani : tomus primus[-tertius] . FAMAM SERVARE MEMENTO. Nullaeft virtusquinviro maximsconveniat, illiq-, ornamcnto fit:roemina abalia virtute, quam^ pudicitia vix laudatur. Hancunicamficonfervct, jam omnibus virtutibus ornata videtur. Hac fi careat, caitcrae o-mnes virtutcs,ut afFabilitas,manfuctudo,comitas,ac parfimonia, qua; mu-liercs ornant, itafordefcunt & deturpantur, utpotiusdcdecori, & vitio.quamdccorifint. Qup cnim atfabilior impudica, eo fccler
RM2WEM23R–Triumph of the chastity, 1563 - 1567 print The car of chastity (Pudicitia), a veiled woman, is drawn by unicorns, legendary chaste animals. Amor is blindfolded and tied to her feet. In the procession, chaste figures from history, the Bible and classical mythology, for example the Roman general Scipio, Joseph, Susanna and the honorable Judit, with the head of Holofernes in her hand. The virtues of self -control (continentia) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. Under the performance an explanatory text in Latin. This pri
RM2CT266A–. Iani Iacobi Boissardi Vesuntini Emblematum liber . vmT^rris tiktctvra tvdoic .. TinUtis m^urapuAor.prohat indole re^a^ Ejje bominem, & caftum denotat mgenium,A vitiis teneram dtatem deterret, et infeCalcarbabet, doceat quodmeliorafequi. C 3 VIRGI- « I. lACOB. BOISSAREI xir. VIRGINIS ORNATVS PVDICITIA & fimplicitas ■p Otem fplendidam &: locupletem filise praeparant parentcs,■*-^ quam bonis moribus, pietate , & modeftiacultam efie vo-lunt.Pudicitia & fimplicitas prima pars eft, & prjecipua mun-di muliebris.GemmjE, texta ferica, aurum,argentu,& reliqua.liuiusgenerisornamenta,lenocinia magis f
RM2WGA52X–CREAT OF MARIA, Johann Sadeler (I), After Maerten de Vos, 1576 print The coronation of Maria in the clouds. God the Father and Christ keep the crown over her head. In the middle the Holy Spirit as a pigeon. In ornamental accompaniment with 6 ovals in which the four characteristics of Maria: humility (humilitas), chastity (Pudicitia), thoughtfulness (contemplatio) and perseverance (Persverantia) and two scenes from the life of Maria: the annunciation and the visitation. Antwerp paper engraving coronation of Mary in heaven (usually the Holy Trinity present). the Holy Trinity, 'Trinitas coelestis
RM2CNWH9Y–. Delle imprese trattato . Lafciuia.cóiinenza. Donna Vedoua coló-ba nera. color nerodelle Yedo-ue. ■Fedeltà dei corui, delle cornac-chie, e de*Gacoli.Itnprefa diSignora ri-mafta Ve-doua. Illecebre diamore.. DELLA COLOMBA. Cap. LII. Vantvnqve tutte le nationi hanno allaColomba, attribuito lafciuia, pur conobbe-ro in lei vnincomparabile effempio di con-tinenza , e di pudicitia, al marito inuiolatafede offeruando. Onde di Donna Vedoua %.fecero Ieroglifìco la Colomba nera ; e perlofferuanza della fede, ha detto Propertio,Exemplo iundiafint ubi in amore ColumbiMafculus, i$ totumfoomina conijigium.e
RM2WFR11E–Vault decoration from Pallazzo Barberini, Anonymous, After Pietro da Cortona, 1692 - 1762 print Part of the vaulting in the salon of Palazzo Barberini with Sapientia Humana, assisted by the chastity, piety, and the divine love, triumphs over earthly love. Text in Latin in STUDMARGE. print maker: Italyafter painting by: Romepublisher: RomeVaticaanstadRome paper engraving 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues. 'Sapientia', mother of the Seven Virtues. 'Castità ', 'Pudicitia', 'Vergogna honesta' (Ripa). Piety, 'Pietas', 'Timor Dei' the Three
RM2CPN922–. Nova iconologia . tto,che eflèndo ferra-toti! qualche luogo dellimmondezza , laichenon polla vfeir (ènza irabrattarfi, elegge piùtorto morire, che perdere in parte alcuna lafu a candidezza» Il volto velato,Ggnifìca modeftia,& pudi-citia,& cominciò 1 vfo di velar la tefta alla pudicitia.dalla memoria di Penelope, laqualeef-fèudo pregata dal padre àftarfène in Lacede- P V D I «ionia per fuafodisfattione,& fénrendoG fpinare dallaltra banda dellamor dVJirlèfucmarito à feguitarlo. non hauendo ardire permodeftia di manifef tare apertamente la yoìou-tà,fc ne ftaua tacendo col vifo velate. PVDICITIA
RM2WD20P4–Triumph of the chastity, Philips Galle, After Maarten van Heemskerck, c. 1565 print The car of chastity (Pudicitia), a veiled woman, is drawn by unicorns, legendary chaste animals. Cupido is blindfolded and tied to her feet. In the procession, chaste figures from history, the Bible and classical mythology, for example the Roman general Scipio, Joseph, Suzanna and the honorable Judit, with the head of Holofernes in her hand. The virtues of self -control (continentia) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. The print has a L
RM2CR02W1–. Iani Iacobi Boissardi Vesvntini emblematum liber. Ipsa emblemata ab auctore delineata: a Theodoro de Bry sculpta & nunc recens in lucem edita . Vlrtutis tMurapudor,probdt indole rettaEjfekominem,&caftum denotatingenium.A vitiis teneram atatem deterret, et infeCalcar habeu ddceat quod meliorafequi. C 3 VIRGI- L IACOB. BOISSARD.IIII.. A ..vCs^X ><^K./€ <£W^A .^v^v-^, VIRGINIS -ORNATVS PVDICITIA&fimpKcitas TvOtem fplendidam & locupletem filia? prscparaht parentes,*-^ quam bonis rnoribus, pietate , & modeftia cultam cffe vo-lunt.Pudicitia & fimplicitas prima pars eft, & praecipua mun-di
RM2WE80GJ–Saint Caecilia, Johann Sadeler (I), After Maerten de Vos, 1583 - 1587 print The crowned H. Caecilia, sitting with palm branch in hand, a music book on the lap. Several musical instruments around her: portative, lute, flute, Kromhoorn, Viola da Gamba and two music books. In the background on the right the beheading of the Heillige. The sixth print of a seventeen -part series with female saints. Germany paper engraving St. Cecilia as patroness of music. 'Castità ', 'Pudicitia', 'Vergogna honesta' (Ripa). organ. flute, aulos, tibia. lyre, cithara, psaltery. other wind instruments (with NAME). vio
RM2CNWDYM–. Delle imprese trattato . Fiore è detta Fiorenza,che per la bellezza è Fior dIta-lia come mi dicono, per che nel refto, per il candor delle let-tere , con tanti Nobili Academici, oltre alle grandezze dellaCafa del Gran Cofmo, e defuoi Pofteri, mi è molto chiaro.Che fuffe egli Ieroglifìco della Pudicitia oltre a gli Etnici,chefacendo facrificij alle Ninfe, offeriuano i Gigli,S<epe tulit blandis argentea Lilia TStymphisB^rmda ne faciem tederei hafia Taci,dice Propertio, parlando di Tarpeia ; e per ciò odiato da Ve-nere , come dice Nicandro, odiofa della Caftità. Geronimocontra Giouiniano, di
RM2TDKYC4–Stove plate with two women's figures, Lucretia and Pudicitia, Anonymous, c. 1550 - c. 1600 Stove plate made of cast iron, divided into two zones. In the upper zone under bows two female figures, Lucretia on the left and Pudicitia on the right. They are separated from each other by a colonnet. Above the arches. In the lower zone a medallion with bust and profil in the midst of leaf ornament. Germany iron (metal) casting Stove plate made of cast iron, divided into two zones. In the upper zone under bows two female figures, Lucretia on the left and Pudicitia on the right. They are separated from
RM2G3Y1W1–Sculpture of pudicitia; Sculptures from ancient times. Caption in Latin. Print is part of an album.
RM2G3D5EW–Maria coronation. Maria coronation in the clouds. God the Father and Christ keep the crown above her head. In the middle of the Holy Spirit as a pigeon. In ornamental frame with 6 ovals in which the four characteristics of Maria: humility (Humilitas), chastity (pudicitia), thoughtfulness (contemplation) and perseverance (perseverance) and two scenes from the life of Mary: the annunciation and visitation.
RM2G25AG5–Triumph of the chastity; Triumphs of Petrarca. The car of chastity (pudicitia), a veiled woman, is drawn by unicorns, legendary clean animals. Cupid is blindfolded and tied to her feet. In the procession, Kuise figures from the history, the Bible and classical mythology, for example the Roman general scipio, Joseph, Suzanna and the honorable Judit, with the Head of Holofernes in her hand. The virtues of self-control (continents) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. The print has a Latin caption and is part of the series
RM2G43CNM–Triumph of the chastity; Triumphs of Petrarca. The car of chastity (pudicitia), a veiled woman, is drawn by unicorns, legendary clean animals. Amor is blindfolded and tied to her feet. In the procession, Kuise figures from the history, the Bible and the classical mythology, for example the Roman general scipio, Jozef, Susanna and the honorable Judit, with the head of Holofernes in her hand. The virtues of self-control (continents) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. Under the show an explanatory text in Latin. This pri
RM2JWHJ6T–denarius. Hadrian (Roman emperor; 117-138), emperor, Sabina (żona Hadriana ; 117-137), empress
RM2CNW05M–. Delle imprese, trattato . Lafciuia,cócincnza. Donna Vedoua coló-ba nera. color nero«Ielle vedo-ue. I^cdeltà dei comi, delle cornac-chie, ede*Gacoli.Jmprefa diSignora ri-mafta Ve-doua. Illecebrediamore.. DELLA COLOMBA. Gap. LII. V A N T V N Qj E tutte le nationi hanno allaColomba, attribuito lafciuia, pur conobbe-ro in lei vnincomparabile eflempio di con-tinenza , e di pudicitia, al marito inuiolatafede olleruando. Onde di Donna Vedoua,fecero leroglifico la Colomba nera; e perloileruanza della fede, ha detto Propertio >Exernplo ìun^eefint libi in amore ColumbiMafadusy (ùx mura femmina con
RM2JWHJ70–denarius. Sabina (żona Hadriana ; 117-137), emperor, Hadrian (Roman emperor; 117-138), emperor
RM2CNWCHM–. Delle imprese trattato . adrona. Imprefa diRicco {tol-to. DEL CAPRIFICO O FICOSeluas&io. Cap. LXXXIL L Caprifico , fu Ieroglifico della Temperanza,per che ligato al collo del Toro, fa che no (la fe-roce^ frenando la fualafciuia, il rende obedié-te. Quando fi vede vn Ramo di quellarbore colSimolacro di Giunone, lignifica che nelle NoueFelli dette Caprotinà daRomani,le Matrone fotto il Fico faceanoi Sacrifici! a Giunone,aggiungédouivni Verga di Caprifi-co,per la pudicitia delle donne Romane,faluata con la (Irata-géma, e col fegno che diede col Caprifico nato nelle Mura,Fi-lotide Ancella. Onde
Search Results for Pudicitia Stock Photos and Images (117)
Page 1 of 2